Today I have great pleasure in inviting Peter A to talk about a poem from his moving Art of Insomnia (Hedgehog Press, 2021)
My debut chapbook Art of Insomnia is personal in a way that is not very typical of my poetry to date. That said, in much of my previous and ongoing work I have tried to deliver an emotional punch where it is justified by the subject matter or theme of the poem.
Art of Insomnia comprises 22 poems written in the nine month period following the unexpected death of my wife; in it I attempt to express the impact of incomprehensible loss and signal the potential for a bearable way forward. The chapbook is divided into four sections and the poem I have selected is the second poem of the third section. Following the second section, which describes a temporary escape from familiar surroundings and people, this section [RETURN TO WHAT REMAINS] is about coming back to the inescapable reality of loss.
In the poem selected here, I mainly use a fairly conventional, uncomplicated, almost-conversational form of address direct to the reader, with many of the same words repeated in each of the nine-line stanzas.
The words which are unique to each stanza set out two issues which may arise when well-intentioned people try to offer comfort and praise at a time when the recently-bereaved person is at the stages of grief where he feels only guilt and powerlessness. These lines of the stanzas arrive in a form which is more poetic or dramatic in style leading the reader to pathos at the end of each stanza.
The title comes from the word ‘better’ at the end of the first line of the poem, and the word ‘fail’ at the end of its last line. Any resemblance to Samuel Beckett’s ‘Fail Better’ is fortuitous but also somewhat fortunate.
Thank you, Peter A. Next week read my review of this exceptionally powerful collection.